‘The Little Hours,’ the recent film that fixates on nuns having fun, isn’t all that funny.
Even the Old Testament writers—not generally thought of as a funny lot—knew the healing power of humor:
“A cheerful heart is a good medicine,” says the book of Proverbs (17:22).
Revolution Come… Revolution Go
Gov’t Mule (Fantasy Records, 2017).
Gov’t Mule started recording this album on election night in November 2016. According to the band’s lead singer, songwriter, and guitar virtuoso Warren Haynes, the songs were written on the road observing the bitter political divisions around the country.
Brother Ali’s latest album offers beauty and gratitude in an anxious time.
All the Beauty in this Whole Life
Brother Ali (Rhymesayers, 2017)
You’d be hard pressed to find an article about Brother Ali that fails to mention his unique story: He’s a white rapper from Minneapolis and a devout Muslim. Or that he was born with albinism, a condition that causes a deficiency of pigment in his skin and hair as well as impaired vision.
In ‘Wonder Woman’ accomplishment trumps beauty.
In Wonder Woman, there are moments so uncommonly witnessed in film that the audience can almost hear paradigms shifting, like giant tectonic plates of cultural attitudes grating over one another as they struggle to realign. Of course, such shifts should have happened long ago, or should have never been needed at all, and there have been lesser and occasional positive tremors along the fault lines before, here and there in film.
A new documentary explores ritual and prayer as primary human experiences.
“From ancient times down to the present, there is found among various peoples a certain perception of that hidden power which hovers over the course of things and over the events of human history [and] the recognition of a Supreme Being . . . . This perception and recognition penetrates their lives with a profound religious sense.”
The ‘s’ is there for a reason.
A coworker urged me into watching the new television series, American Gods, based off the Neil Gaiman novel by the same title. I was skeptical at first, and waited many weeks before I finally caved and settled in for a weekend of intense binge-watching.
The series did not disappoint.
A new podcast teaches consumers a lesson in globalization, its promise, and its potential liabilities.
Most of us devote little thought to ocean-borne shipping. Yet it plays an enormous role in our lives, as around 90 percent of everything that needs to go from point A to point B does so on the seas. As Americans, globalization has risen to the top of our national discourse and as Catholic Christians, how globalized shipping affects workers and the environment resonates deeply with our sense of community, stewardship, and economic exchange.
‘Homecoming King’ navigates serious subjects while still being laugh-out-loud funny.
When you think of a traditional comedy show, you might think of a single microphone, a spotlight, a cup of water, and a brick wall that a comedian stands in front of to deliver a string of jokes. But Homecoming King, the Netflix comedy special by Hasan Minhaj, is anything but traditional. The 72-minute show, which Minhaj originated as a one-man off-Broadway show in 2015, is an energetic piece of storytelling that is a comedic but insightful reflection on Minhaj’s experience of growing up “brown” in America.
Hulu’s new show portrays a world where the bodies of women are used and discarded, exploited much like the land and water Gilead’s people have destroyed.
What if you woke up one morning and everything and everyone you knew and loved was gone? What if it happened slowly over time? In Hulu’s new series The Handmaid’s Tale, based on the 1986 book by Margaret Atwood, this is the situation in which protagonist Offred (Elizabeth Moss) finds herself. She goes to sleep in the United States of America and wakes up in the Republic of Gilead, an oppressive regime based on the perversion of scripture and patriarchy taken to the extreme.
In CBS drama “Madam Secretary,” patriarchy matters a little less.
Madam Secretary (CBS, in its third season) breaks bold new ground in media portrayals of women leaders: Secretary of State Elizabeth McCord’s friends, family, colleagues, and even the President of the United States treat her as if, in fact, she can lead.